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DOB Hmmm Height Varies to my emotional state. Red unless the Simi gotta look human. Mode of Transportation Arki's body.

Charlene Hartnady

Weapon of Choice Don't need no weapon to eat someone. Well, maybe a fork. Pets Well, I gots a cat. Them little dragon things that akri has. I think he counts. And do we count akri? Other Facts Her demon skin is red and black and her horns often glow red. Gimme, akri, gimme. I want it all! Look for me in Acheron Read More. Read More.

Fun Fact Oh I don't have enemies.

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I eat them. Simi was given to Ash by Apollymi. She didn't want him left alone in the human world and knew he wouldn't be able to resist Simi. Simi means "baby" in Charonte. Look for Me In March 27, Simi say… Akri didn't raise no fools. Bye-bye now. The PolyFrame button on the right side of the workspace allows you to see colored polygroups along with the wireframe Fig.

Next I made a rough sculpt of the human body. It's very useful to find some anatomy references at this point. The main task here is to recreate correct forms, proportions and silhouette. Keep the mesh simple; don't go too far with details as it's not necessary at this stage. Good tools at this point are the Move and Clay brushes. This is how you work with polygroups. When you are satisfied with your base mesh you can repotologize it in ZBrush or Topogun, or just export your model into Maya in a low Sub-Division level like I did Fig.

I use hot keys, some of them custom. I strongly recommend using hot keys and the main Maya menus for comfortable and fast work. Maya works perfectly with a Wacom pen tablet, all you need is to bind the middle mouse click on to the top button of the pen, which is by default a left mouse double-click Fig. After importing the model into Maya go to Hypershade and create a new Blinn material. This kind of material is nice for the early modeling stage because it shows the silhouette well and, at the same time, you can see the hard edges of the topology Fig.

I also deleted the left side of the model and made it a Duplicate special in the Edit menu , but before doing that be sure that the model's pivot and model is located at the center of the grid.

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You will be forced to edit the pivot position often. To do this press and hold X to activate Snap to Grid mode and move the pivot to the cross press Insert to exit this mode then apply a Freeze Transformation to the model Modify menu Fig. During this stage I keep in mind two things: silhouette and topology. The silhouette is a very important thing for 3D characters.

It's like the foundation for a future house and it has to be strong. I put topology in second place because in the block-out stage it's not very important, but you still need to be moderate and make sure you don't add too many polygons. When you finish the block-out you'll need to pay more attention to topology Fig. Here are a few hints as to how to keep good and clean topology: - Try to keep the mesh in similar size quads. At the same time feel free to use triangles.


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Actually we'll convert our mesh to triangles for texturing and rendering because a triangle is the true form of a polygon and game engines see only triangles. Quads are just for human comfort. Place edges loops in some places as a future base for extruding a new object. For example, if I know that a specific polygon row is going to be extruded as a belt, I make sure that the thickness of the base row will be the same as the thickness of the belt.

Here are the tools that I used to create the model: - Soft Selection.

The Staff Of The Demon Chaser

Press B and move the sub-components. It's much better to bind it to your own hot keys. These tools add new edges. This works like some of the brushes in ZBrush. The most commonly used is the Relax tool. I like it a lot because it's a quick way to make your topology smooth and consistent Fig. When the rough body base was done I started to add new details, like the pants and sleeves. To do this you need to refer back to the concept Fig.

The next step is extruding the new details.

As I mentioned before when talking about the topology, try to place edge loops in places where you're going to extrude new details. On the picture you can see what I mean Fig. First, you need to duplicate the right part of the body and select the belt faces. Delete selected polygons and slightly scale the belt and extrude it.

I also assigned another material and made a duplicate special. I added new details and used Snap to Points press V to attach the belt to the body even if they are separate objects. This is the most common type of snapping and you'll use it all the time Fig. That'll help in the future when texturing. Human women required.

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